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The Modern American Novel 1900–1950 - Page 4

These are the great majority of the books discussed in "A Companion to the Modern American Novel 1900–1950" (John T. Matthews, 2009). Alphabetical by author's surname.
As will become obvious, not all the books were actually published in the stated period, thus suggesting they influenced works or were influenced by works in that era.
Does the following, spoken by a Hollywood producer, seem familiar? From Samuel Merwin's Hattie of Hollywood (1922).
'"Now, my dear," he said, taking her hand and playing with her soft little fingers as he
spoke, "you and I had better understand each other right at the start. If you'll do exactly
as I say – place yourself unquestioningly in my hands – I will make you. If you won't,
I can't help you."'
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Page 4 of 5
The Member of the Wedding (Carson McCullers)
The Member of the Wedding
121
Carson McCullers
The Rustler: A Tale of Love and War in Wyoming (Frances McElrath)
The Rustler: A Tale of Love and War in Wyoming
122
Frances McElrath
Hollywood Girl (J.P. McEvoy)
Hollywood Girl
123
J.P. McEvoy
Showgirl (J.P. McEvoy)
Showgirl
124
J.P. McEvoy
Hollywood Siren (Keane McGrath)
Hollywood Siren
125
Keane McGrath
The Surrounded (D'Arcy McNickle)
The Surrounded
126
D'Arcy McNickle
The Confidence Man (Herman Melville)
The Confidence Man
127
Herman Melville
Hattie of Hollywood (Samuel Merwin)
Hattie of Hollywood
128
Samuel Merwin
Yokohama, California (Toshio Mori)
Yokohama, California
129
Toshio Mori
Tales of Mean Streets (Arthur Morrison)
Tales of Mean Streets
130
Arthur Morrison
Devil in a Blue Dress (Walter Mosley)
Devil in a Blue Dress
131
Walter Mosley
Edwin of the Iron Shoes
Edwin of the Iron Shoes
132
Strange Brother (Blair Niles)
Strange Brother
133
Blair Niles
McTeague (Frank Norris)
McTeague
134
Frank Norris
The Octopus (Frank Norris)
The Octopus
135
Frank Norris
The Pit (Frank Norris)
The Pit
136
Frank Norris
Wise Blood (Flannery O'Connor)
Wise Blood
137
Flannery O'Connor
Hope of Heaven (John O'Hara)
Hope of Heaven
138
John O'Hara
No-No Boy (John Okada)
No-No Boy
139
John Okada
George Washington Gómez (Américo Paredes)
George Washington Gómez
140
Américo Paredes
Come Back to Sorrento (Dawn Powell)
Come Back to Sorrento
141
Dawn Powell
Screen Star (Jack Preston)
Screen Star
142
Jack Preston
Imre: A Memorandum (Edward Prime-Stevenson)
Imre: A Memorandum
143
Edward Prime-Stevenson
The Godfather (Mario Puzo)
The Godfather
144
Mario Puzo
The Crying of Lot 49 (Thomas Pynchon)
The Crying of Lot 49
145
Thomas Pynchon
The World's Body (John Crowe Ransom)
The World's Body
146
John Crowe Ransom
How the Other Half Lives (Jacob A. Riis)
How the Other Half Lives
147
Jacob A. Riis
Giants in the Earth (Ole Edvart Rølvaag)
Giants in the Earth
148
Ole Edvart Rølvaag
Shane (Jack Schaefer)
Shane
149
Jack Schaefer
What Makes Sammy Run? (Budd Schulberg)
What Makes Sammy Run?
150
Budd Schulberg
The Triumph of Willie Pond (Caroline Slade)
The Triumph of Willie Pond
151
Caroline Slade
Nisei Daughter (Monica Itoi Sone)
Nisei Daughter
152
Monica Itoi Sone
I, the Jury (Mickey Spillane)
I, the Jury
153
Mickey Spillane
The Autobiography of Alice B. Toklas (Gertrude Stein)
The Autobiography of Alice B. Toklas
154
Gertrude Stein
How to Write (Gertrude Stein)
How to Write
155
Gertrude Stein
A Novel of Thank You (Gertrude Stein)
A Novel of Thank You
156
Gertrude Stein
Q.E.D. (Gertrude Stein)
Q.E.D.
157
Gertrude Stein
The Grapes of Wrath (John Steinbeck)
The Grapes of Wrath
158
John Steinbeck
Malaeska (Ann S. Stephens)
Malaeska
159
Ann S. Stephens
For the Pleasure of His Company (Charles Warren Stoddard)
For the Pleasure of His Company
160
Charles Warren Stoddard
Page 4 of 5
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